Kate Sammons

Fine Art Oil Paintings and Commissioned Portraiture

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Demonstrations 2016

By Kate Sammons Date: February 17, 2016

I recently received the honor of being asked to do a couple of demonstrations in coordination with the upcoming exhibitions for this spring. These demonstrations will be an opportunity to see my painting process in person and view a spectacular selection of juried and curated artwork at these gorgeous venues. Come out and enjoy the warm spring weather this April with a lavish display of beautiful art!

Giving Life to Still Life, April 3, 1-3 pm
Giving Life to Still Life, April 3, 1-3 pm
Peter Adams, "Dream of Cathay"
Peter Adams, “Dream of Cathay”

“Giving Life to Still-Life” – Demonstration and Discussion, sponsored by the California Art Club
http://www.californiaartclub.org/exhibitions/annual-gold-medal-juried-exhibition/exhibition-programs/
Location: Wells Fargo Theater (at The Autry)
Address: 4700 Western Heritage Way, Los Angeles, CA 90027-1462
Date: Sunday, April 3 from 1:00 – 3:00 p.m
Tickets: $30 CAC/Autry Members; $40 Non-members | BUY TICKETS
Description: Gold Medal artists Jim McVicker and Kate Sammons, with moderator and CAC President Peter Adams, share their unique approaches to still-life painting as they work on paintings using similar objects.


Gottlieb_Sammons portait demo_LCAD_April 8, 2016

 

“Painting the Portrait in Oil” a live demonstration for the Paris Seminar
http://www.lcad.edu/paris-seminar/
Location: Laguna College of Art and Design
Address:2222 Laguna Canyon Road, Laguna Beach, California 92651
Date: Demo with Adrian Gottlieb, Kate Sammons and Sean Forrester: April 8th, 4:00 p.m. to 6:30 p.m.
Description: The exhibition programming will include a live tandem figure painting demonstration by Adrian Gottlieb and Kate Sammons from 4:00 to 6:30 p.m. on April 8th on LCAD’s Main Campus immediately followed by a reception from 6:30 to 9:00 p.m.

 


 

art of the portrait 6 x 9

Once again after having missed a couple of years, I will be donating a small 6×9 to the Portrait Society of America, a very lovely and legit organized community of artists who are all incredibly talented and generous with their art.

6 x 9 Mystery Art Sale at the 2016 Art of the Portrait Conference, sponsored by the Portrait Society of America
http://www.portraitsociety.org/#!conference/c37f
Location: Washington DC, Art of the Portrait Conference
Date: April 14-17, 2016
Description: Back by popular demand, this program features 6×9″ panels painted by previous award recipients, faculty, and other nationally known artists. Attendees have the opportunity to purchase, at a fixed price, a piece of art they love, the artist’s name is revealed after the purchase.

6x9

Filed Under: Earlier

Featured Painting February 2016

By Kate Sammons Date: February 17, 2016

+ Self Portrait in Mirror, 20 x 16, oil on panel
Self-Portrait-in-Mirror
20 x 16, oil on panel

Title: Self Portrait in Mirror
Size: 20 x 16 inches
Medium: Oil on Panel
Description: This painting was inspired by a sense of longing that I feel in my artwork for an escape into my imagination. Images have long held a fascination for me, the more mysterious and beautiful the better. Beautiful pictures have fed my imagination since childhood, giving my mind and emotions a place to wander and a sense of freedom that feels just as vivid as it would in the real world. Whenever I feel the need for a sense of calm or joy, my imagination often goes looking to connect with an image that gives me that feeling . The self portrait is a glimpse of me looking into this space which is much more in my mind’s eye than just behind my shoulder.

The painting will be exhibited and offered for sale to the public at the upcoming Paris Seminar Exhibition in Laguna Beach in mid April. The proceeds from the exhibiitons will fund an opportunity for the artists to participate in an educational trip to Paris. The selected group will have the benefit of special lectures on the humanities by distinguished guests, discourses on composition, and painting sessions in the historic atelier of the Grand Chaumiere. I invite you to come to this exhibition and participate with the artists in a rare event that brings together a mixture of hope, excitement, philosophy and adventure.

Filed Under: Featured Paintings

Featured Painting November 2015

By Kate Sammons Date: November 10, 2015

 

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  • Flowers of Eden 20 x 26, oil on panel
  • on-easel Gold leaf floater frame, 1.5 ” width, 2″ deep
  • closeup Close up
  • closeup2 Close up

I am proud to feature my latest painting, Flowers of Eden which was painted for a special exhibition, The Rennaissance of Realism, that will be debuting in two  days at Gallery 1261,  in collaboration with Windows to the Divine. Windows to the Divine is a registered trademark established in 1998 of the Colorado Dominican Vocation Foundation (Foundation), a nonprofit foundation that supports the vocation of artists and the Dominicans.  Through exhibitions, education and outreach, Windows to the Divine® programs promote these important vocations as well as multiculturalism and interfaith dialogue. Along with the exhibition at Gallery 1261, there will be a Renaissance of Realism National Symposium to be held on Friday, November 13, 2015 at the Denver Art Museum for the Collectors for Connoisseurship, a membership of patrons and artist sponsored by the Windows to the Divine program.

The painting takes an imaginative departure from a dramatically lit arrangement of flowers to a living display of the Biblical story of the snake and the apple. It was created with an indirect technique in which an underpainting is first realized before subsequent transparent glazes and opaque scumbles are laid over. The result achieves a characteristic subtlety where vivid  color and atmospheric depths are a prominent feature. Also, visible here in the close up photographs, the painting surface is exquisitely smooth and polished. I left in the dust particles reflecting the light as a reference comparison so you can see all the surface disturbances. This style is typical of the Flemish paintings of the 17th century and various artists in later times who achieved a similar refined look such as Ingres and David. This elegant style is set off by a simple gold leaf floater frame and would look perfect in a similarly elegant setting. It is of slightly larger than life size proportions standing at 26 x 20 inches in height to make a impressive statement. In the photo of the framed painting on the easel, you can even see a jar of Gamvar, which is the varnish I choose to protect my paintings with.

Filed Under: Featured Paintings

Featured Painting August 2015

By Kate Sammons Date: August 7, 2015

I'd Love to See You Before I Go, 20x30, oil by Kate Sammons
I’d Love to See You Before I Go, 20×30, oil by Kate Sammons

This is one of my  recent paintings from the spring. It is a portrait of my friend Amanda, who lives in LA and works as an art appraiser for a national firm. She was kind enough to come to my studio once a week and work from her laptop there so that I could paint her from life. I’ve long admired her as a person and an artist whose glass paintings of butterflies and landscapes transform the sunlight into mosaics of color. Her brilliant personality and artwork were the inspiration for this painting.

Filed Under: Featured Paintings

Paintings 2015

By Kate Sammons Date: March 11, 2015

+
Flowers of Eden
20 x 26, oil on panel
+
Strange Catch
9×12, oil on panel
+
Gone Fishing
9×12, oil on panel
+ Stairs and Flowers, 16 x 20 inches, oil on panel
Stairs and Flowers
16 x 20 inches, oil on panel
+ Portrait of Luis, 16 x 20 inches, oil on panel
Portrait of Luis
16 x 20 inches, oil on panel,
+ I'd love to see you before I go, 20 x 30 inches, oil on linen
I’d love to see you before I go
20 x 30 inches, oil on linen
+ Estaba Aqui, 24 x 30 inches, oil on panel
Portrait of Liza
24 x 30 inches, oil on panel
+ Portrait of Marcelo, 16 x 20 inches, oil on panel
Portrait of Marcelo
16 x 20 inches, oil on panel
+ You will never be the one, 20 x 24, oil on panel
You will never be the one
Tess, 20 x 24 inches, oil on panel
+ Portrait of Tess, 20 x 16 inches, oil on panel
Portrait of Tess
Tess, 20 x 16 inches, oil on panel
+ Portrait of Cervando,16 x 20 inches, oil on panel
Portrait of Cervando
16 x 20 inches, oil on panel
+ Portrait of Nick, 20x24 inches, oil on panel
Portrait of Nick
Nick, 20×24 inches, oil on panel
+ Self Portrait, 16 x 20 inches, oil on panel
Self Portrait
Kate, 16 x 20 inches, oil on panel
+ Dead Roses, 16 x 20 inches, oil on panel
Dead Roses
16 x 20 inches, oil on panel
+
First Encounters Beach_sunny day
6 x 12, watercolor
+
fancies_with-mat
9 x 12. watercolor
+
animals_with_mat
9 x 12, watercolor
+
Peacock
6 x 9 watercolor
+
Duck
6 x 9 watercolor
+
Blue Paradise
6 x 9 watercolor
+
Monarch
6 x 9 watercolor
+
Sea-Urchins
6 x 9 watercolor
+
cloudy afternoon_Sept_cooks brook beach
6 x 12 watercolor
+
Shells
6 x 9, watercolor
+
Elysian Park study
9 x 12, watercolor
+
LA Riverwalk
9 x 12, watercolor

Filed Under: 2015

My current painting process

By Kate Sammons Date: January 21, 2015

These days I’m limiting the time I take to make a painting to about 4 days. Before I’d take months to finish a painting and at some point it stopped becoming enjoyable or even beneficial. With shorter length paintings, the painting process gets pared down to the essentials and the spontaneous part of painting is celebrated.

Essentially, I casually pick a subject, spend about an hour composing it and then start painting. A lot of improvisation happens along the way. The composition will gain its strength and balance during the sketching process as I begin to more fully understand the project. Ideas solidify, small impulses merge together, colors harmonize and contrasts come forward. A painting acquires an identity when a character emerges. It’s very fulfilling when that happens and also enigmatic. Despite my best efforts to the contrary, a painting’s character seems to have its own free will and comes or goes as it pleases.

Most of the time painting is an enjoyable process, one in which I’m not fully aware of taking a creative role. It’s quite freeing to feel that I’m just along for the ride. When I get too dictatorial, the work suffers a bit from ideas getting stale, feeling stiff and weighed down with obligation. A painting continues for as long as I can still recognize and grasp for interesting and beautiful things that are within reach.

Oh and of course, being a realist painter, I still want the subject to look like itself, or rather not strip away its essential visual identity and its unique character. So you may wonder where I draw the line between realism and creativity? In my next post, I’ll address that question, talk about realism in painting and being a realist painter. Thanks for reading and please feel free to leave a comment below. See you next time!

My current painting process -4 day portrait sittings
Painting Marcelo at the studio

Filed Under: Thoughts and process

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Kate Sammons was a freelance artist working in Los Angeles in traditional media.

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